Jill Bilcock is one of Australia’s pre-eminent film practitioners, working as an editor for 33 years alongside some of the most acclaimed filmmakers at home and abroad. Her first film was Richard Lowenstein’s coal-mining drama Strikebound (1984) and she would continue to work with Lowenstein on a number of films including iconic rock musical Dogs in Space (1986), concert documentary Australian Made: The Movie (1987) and children’s drama Say a Little Prayer (1993).
After breaking out on the local scene, Bilcock quickly found international attention with Evil Angels (1988), Fred Schepisi’s Academy Award®-nominated retelling of the Lindy Chamberlain court trial that starred Meryl Streep and competed for the Palme d’Or at the Cannes Film Festival. She soon forged another long-lasting collaborative relationship, this time with Baz Luhrmann. Her work on Luhrmann’s Strictly Ballroom (1992), Romeo + Juliet (1996) and Moulin Rouge! (2001) were hailed for the way they introduced fast-paced, modern editing techniques to classic genres of musical and Shakespearean romance, which proved to be highly influential and considered key to the films’ success. She received an Academy Award® nomination for Moulin Rouge! and won awards from the Australian Film Institute (AFI), American Film Institute and the American Cinema Editors Guild.
Jill Bilcock has remarkably edited six of the 20 highest-grossing Australian films of all time. Alongside Luhrmann’s flamboyant musicals, she edited PJ Hogan’s Muriel’s Wedding (1994), Kriv Stenders’ Red Dog (2011, APSA nominee for Best Children’s Feature Film), the Working Dog production of The Dish (2000), and Jocelyn Moorhouse’s The Dressmaker (2015).
Bilcock has also worked on many international productions including Shekhar Kapur’s Elizabeth (1998) and Elizabeth: The Golden Age (2007) both starring Cate Blanchett, Sam Mendes’ Road to Perdition (2002) with Tom Hanks and Paul Newman, and Jean-Marc Vallée’s The Young Victoria. Significantly, Bilcock has also worked extensively alongside female filmmakers within the Australian film industry including Jocelyn Moorhouse and Ana Kokkinos, Sue Brooks, Clara Law and Robyn Nevin.
She is currently working once more with Richard Lowenstein on Mystify: Michael Hutchence, a documentary about the late INXS singer and star of Dogs in Space, while a documentary about her life and career, Jill Bilcock: Dancing the Invisible, recently premiered at the Adelaide Film Festival. Over her career she has won five AFI Awards, received four additional AFI nominations, two AACTA nominations, and four BAFTA nominations. In 1995 she was awarded the AFI’s prestigious Byron Kennedy Award for her outstanding creative enterprise within the industry. She is a member of the ASE (Australian Screen Editors) and ACE (American Cinema Editors).
The Asia Pacific Screen Academy expresses its respect for and acknowledgement of the South East Queensland Aboriginal and Torres Strait Islander communities. We pay our respects to the Traditional Owners of country, including the custodial communities on whose land works are created and celebrated by the Asia Pacific Screen Awards. We acknowledge the continuing connection to land, waters and communities. We also pay our respects to Elders, past and emerging. We recognise the integral role Aboriginal and Torres Strait Islander and First Nations peoples continue to play in storytelling and celebration spaces.