In the Last Days of the City
2016

In the Last Days of the City (Akher Ayam El Madina)

Egypt, United Arab Emirates, Germany, United Kingdom
2016

In the Last Days of the City (Akher Ayam El Madina)

In the fading grandeur of downtown Cairo, Khalid, a 35-year-old filmmaker, is struggling to make a film that captures the pulse of his city at…

More Details
Cairo 678
2011

Cairo 678 (Nahed El Sebai)

Egypt
2011

Cairo 678 (Nahed El Sebai)

High Commendation, Jury Grand Prize, 2011 It may be a taboo subject but the simple fact is that incidences of sexual harassment in Egypt are…

More Details
Cut and Paste
2007

Cut and Paste (Kas Wa Lazk)

Egypt
2007

Cut and Paste (Kas Wa Lazk)

After turning thirty, Gmilla’s dreams of emigrating abroad have collapsed. She meets Youssef who is also thinking of traveling and they make a pact that…

More Details
Yomeddine
2018

Yomeddine

Egypt
2018

Yomeddine

Beshay – a man cured of leprosy – has never left the leper colony in the Egyptian desert where he has lived since childhood. Following…

More Details
Amal
2018

Amal

Egypt, Lebanon, Qatar, France, Germany, Norway, Denmark
2018

Amal

Coming of age as a teenager is hard enough without being forced to do so amid the political and social upheaval of a national revolution.…

More Details
The Knight and The Princess
2019

The Knight and The Princess

Saudi Arabia, Egypt
2019

The Knight and The Princess

Inspired by a true 7th century warrior, the plot follows young adventurer Mohammed Bin Alkassim with a fictional twist. At the age of 15, he…

More Details
Hanging Gardens (Janain mualaqa)

Hanging Gardens (Janain mualaqa)

Iraq, Egypt, Lebanon, Palestine, Saudi Arabia, United Kingdom

Hanging Gardens (Janain mualaqa)

Brothers As’ad (12) and Taha (28) barely scrape a living as rubbish pickers in ‘Hanging Gardens’ – the local nickname for Baghdad’s smouldering dumps –…

More Details

The Asia Pacific Screen Academy expresses its respect for and acknowledgement of the South East Queensland Aboriginal and Torres Strait Islander communities. We pay our respects to the Traditional Owners of country, including the custodial communities on whose land works are created and celebrated by the Asia Pacific Screen Awards. We acknowledge the continuing connection to land, waters and communities. We also pay our respects to Elders, past and emerging. We recognise the integral role Aboriginal and Torres Strait Islander and First Nations peoples continue to play in storytelling and celebration spaces.

  • This field is for validation purposes and should be left unchanged.