The Asia Pacific Screen Academy (APSA) last night honoured filmmakers of the region at special Award Presentation on Australia’s Gold Coast.

The moving presentation, held at Home of The Arts, was a celebration of cultural diversity through the region’s cinema as well as a powerful show of support for its future.

Hosted by Iranian born Australian presenter Leila McKinnon, the event was attended by Jack Thompson AM PhD, President of the APSA Academy of the region’s filmmakers.

Chair of APSA, Tracey Vieira said, “In a year that has seen the world of cinema put on dramatic pause, it was thrilling to see the APSA 2020 Award Presentation and Forum reinvigorate filmmakers right across our region. The creative energy, diversity and dynamism of all involved demonstrated that the future of screen stories in our region will continue to shine brighter and brighter.“

Thai creative producer Soros Sukhum took out the 2020 FIAPF Award for Outstanding Achievement in Film in the Asia Pacific region. This unique award celebrates a film practitioner from the region whose career and actions contribute strongly to the development of the film industry in their own country as well as nurturing international collaborations and relationships. The winner is determined by FIAPF–International Federation of Film Producers Associations, an APSA founding partner.

Soros Sukhum is pioneer of the Thai independent film movement, launching the careers of a generation of artistic and experimental filmmakers, including Aditya Assarat, Sivaroj Kongsakul, Anocha Suwichakornpong, and Nawapol Thamrongrattanarit.

Internationally focused, Sukhum co-produced Cambodia’s Diamond Island by Davy Chou, Singapore’s Pop Aye by Kirsten Tan, and the anthology Ten Years Thailand made between Hong Kong, Japan and Thailand and showcased at the Cannes Film Festival. His latest film is the highly anticipated Colombian-set Memoria, the English language debut for director Apichatpong Weerasethakul, and starring Tilda Swinton.

Sukhum has also proudly supported multiple short films by emerging directors who are embracing Thailand’s digital revolution.

The Young Cinema Award was won by Indian filmmaker Akshay Indikar for Chronicle of Space (Sthalpuran), with a Special Mention going to Stephen Maxwell Johnson for High Ground.

Presented by NETPAC (Network for the Promotion of Asian and Asia Pacific Cinema) and Griffith Film School (GFS), the award recognises the abundant emerging talent of the Asia Pacific.

The Young Cinema Jury said of the winning film “Akshay Indikar has a real and rare cinematic vision. Using breath-taking imagery and intricate soundscapes, his film took the jury on a multi-layered journey of discovery evolving through the perspective of sublime innocence. We congratulate him on this incredible achievement and look forward to what comes next.”

Sthalpuran is the Sophomore feature from director Indikar, who also co-wrote, edited and did sound design on the film. The accomplished young filmmaker hails from Gondhali nomadic tribe in southwest India and is proud to make films in his own language, Marathi, to share with the world. Sthalpuran, which premiered at the Berlinale 2020, is a young boy’s story as told through his diary entries, as he copes with change and loss in his new life immersed in the natural world on India’s Konkan Coast.

Maxwell Johnson’s High Ground is a gripping frontier western set in remote Arnhem Land and starring Jacob Junior Nayinggul, Jack Thompson and Simon Baker. Thompson was there to accept the award on the night on behalf of the director. The film, which world premiered at the Berlinale, screened in September for the Indigenous communities Gunbalanya and Yirrkala where it was shot and will release in Australia in 2021.

The jury was greatly impressed by the assured direction of Stephen Maxwell Johnson, for a stunning film that gives voice to the issue of brutal colonisation and the question of ‘whose law is it?’ High Ground is a much-needed reminder of what a true cinematic experience can be.

The APSA Presentation Ceremony marks the end of the 2020 APSA Forum, a weeklong series of panel and roundtable events delivered both in person and digitally, with high profile participants from 18 countries.

CEO of Screen Queensland Kylie Munnich said, “Screen Queensland has been proud to support APSA in 2020, keeping the local industry strong and strengthening ties with our neighbours across this vast region. With strict travel restrictions in place throughout the year, it was especially valuable for filmmakers to connect with each other throughout the APSA Forum and for the work of this year’s winners to be honoured in front of industry peers and change makers.”

In a year in which ongoing support for the industry is more crucial than ever, the MPA APSA Academy Film Fund announced four new recipients for the eleventh straight year. Each project will receive US $25 000 for the key early stage of script development. In 2020, projects from Philippines, Vietnam and Japan are amongst the winners for the first time.

Producer Bianca Balbuena (Philippines) has received a grant for her project Việt and Nam (Vietnam), a collaboration with Vietnamese writer-director, Minh Quy Truong.

Guillaume de Seille (France) has received the grant for A Kid on the Block (Japan), the magical realism feature debut of documentary filmmaker Kyoko Miyake.

For the first time a filmmaker is winning the grant for the second time. Annemarie Jacir from Palestine, whose 2017 film Wajib won 36 international awards, has received the grant for her project All Before You.

2019 APSA Young Cinema Award winner Ridham Janve (India) has received the grant for his project The Sacrifice (Ashwamedh).

The event was presented by the Asia Pacific Screen Academy, with the support of Screen Queensland, in partnership with Home of The Arts (HOTA), FIAPF, NETPAC, Griffith Film School and the Motion Picture Association.

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The Asia Pacific Screen Academy expresses its respect for and acknowledgement of the South East Queensland Aboriginal and Torres Strait Islander communities. We pay our respects to the Traditional Owners of country, including the custodial communities on whose land works are created and celebrated by the Asia Pacific Screen Awards. We acknowledge the continuing connection to land, waters and communities. We also pay our respects to Elders, past and emerging. We recognise the integral role Aboriginal and Torres Strait Islander and First Nations peoples continue to play in storytelling and celebration spaces.

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