Moon Yang-kwon is a Korean film producer. Their first production was the popular horror retelling of Hansel and Gretel (2007) directed by Yim Pil-sung. This was followed by The Good the Bad the Weird (2008), which was an international success and won an APSA for Achievement in Cinematography, The Servant (2010) and Bong Joon-ho’s Mother (2009). That film won an APSA for Best Performance by an Actress as well as 40 other awards around the world as well as screening at festivals including Cannes, Busan, Chicago, Dubai and Munich. Ten years later they collaborated once more with Bong Joon Ho on Parasite (2019), which was awarded the Palme d’Or at the Cannes Film Festival. They received their first APSA nomination for Best Feature Film.

Accolades

Bong Joon-ho and Kwak Sin-ae and Moon Yang-kwon and Jang Young-hwan
Best Feature Film, 2019

Parasite (Gisaengchung)

Best Feature Film, 2019

Parasite (Gisaengchung)

Winner: Best Feature Film | 13th Asia Pacific Screen Awards, 2020 Ki-taek’s family of four is close, living in a basement apartment scrounging for unprotected…

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Films

Parasite
2019

Parasite (Gisaengchung)

Republic of Korea
2019

Parasite (Gisaengchung)

Winner: Best Feature Film | 13th Asia Pacific Screen Awards, 2020 Ki-taek’s family of four is close, living in a basement apartment scrounging for unprotected…

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Mother
2009

Mother (Madeo)

Republic of Korea
2009

Mother (Madeo)

Winner, Best Performance By An Actress, 2009 An unnamed widow lives alone with her only son, selling medicinal herbs in a small town in southern…

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The Asia Pacific Screen Academy expresses its respect for and acknowledgement of the South East Queensland Aboriginal and Torres Strait Islander communities. We pay our respects to the Traditional Owners of country, including the custodial communities on whose land works are created and celebrated by the Asia Pacific Screen Awards. We acknowledge the continuing connection to land, waters and communities. We also pay our respects to Elders, past and emerging. We recognise the integral role Aboriginal and Torres Strait Islander and First Nations peoples continue to play in storytelling and celebration spaces.

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