Tan Chui Mui’s short film, A Tree in Tanjung Malim (2004), won a Principal Award at the Int’l Short Film Festival Oberhausen in 2005. Since then, she has emerged as one of the most closely watched young filmmakers on the international film festival scene. Her debut feature film Love Conquers All (2006) won multiple new director’s awards at the International Film Festival Rotterdam, as well as at Busan International Film Festival.

As a prolific short-film director, she has won numerous awards with them, including the Grand Prix at the Clermont-Ferrand International Short Film Festival, Artfilm Fest Slovakia and Asiana Short Film Festival with Everyday Everyday (2009). Her second feature Year Without A Summer (2010) received supports from Asia Cinema Fund and Huber Bale Fund and garnered much attention from the international festival circuit. Her work is characterised by a poetic sensibility borne out of her small-town upbringing and a keen eye for stories based on personal growth and redemption. Mui also produces films by other Malaysian independent filmmakers, such as James Lee, Amir Muhammad and Liew Seng Tat. She also organises workshops for young filmmakers via a new company, Next New Wave in Malaysia.

Accolades

Tan Chui Mui and Amir Muhammad
Best Documentary Film, 2007

Village People Radio Show (Apa Khabar Orang Kampung)

Best Documentary Film, 2007

Village People Radio Show (Apa Khabar Orang Kampung)

In the propaganda war against the Communist Party of Malaya (CPM), much was made of the fact that the Party comprised ethnic Chinese who adopted…

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Films

Village People Radio Show
2007

Village People Radio Show (Apa Khabar Orang Kampung)

Malaysia
2007

Village People Radio Show (Apa Khabar Orang Kampung)

In the propaganda war against the Communist Party of Malaya (CPM), much was made of the fact that the Party comprised ethnic Chinese who adopted…

More Details

The Asia Pacific Screen Academy expresses its respect for and acknowledgement of the South East Queensland Aboriginal and Torres Strait Islander communities. We pay our respects to the Traditional Owners of country, including the custodial communities on whose land works are created and celebrated by the Asia Pacific Screen Awards. We acknowledge the continuing connection to land, waters and communities. We also pay our respects to Elders, past and emerging. We recognise the integral role Aboriginal and Torres Strait Islander and First Nations peoples continue to play in storytelling and celebration spaces.

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