Nomination Details

Ceremony Year 2010
Nomination category

Nomination Detail

Winner, APSA NETPAC Development Prize, 2010

Eun-mo is back in her hometown, Paju, after spending three years’ soul searching in India. The reality she returns to is far from comforting as she is faced with a dreaded reunion with her widower brother-in-law, Joong-shik. Eun-mo never took a liking to Joong-shik who came to Paju as a student activist fugitive almost a decade earlier and ended up marrying her older sister, Eun-soo. But she was forced to live with him when a tragic accident took her sister’s life. Over the course of three years, Eun-mo gradually discovered she was carrying complex emotions toward Joong-shik and, feeling trapped, she left Paju.

On returning, Eun-mo believed she had resolved all emotional conflicts in India, but as she digs further into her sister’s death, she becomes torn between the truth and her feelings for Joong-shik.

“A beautiful and restrained film directed with a sure hand about an unusual and tragic relationship”
– Nan Achnas, Jury citation

“Park Chan-ok is a filmmaker who operates at a deliberate pace in a world that often prematurely rushes projects into existence. She is not afraid to be difficult and intense without resorting to the imposture of being deliberately obtuse.”
– Russell Edwards, Jury citation

The 2010 APSA Academy NETPAC Jury comprised APSA International Nominations Council NETPAC members: Professor Hong-Joon Kim (Republic of Korea), Russell Edwards (Australia) and Nan Achnas (Singapore).


The Asia Pacific Screen Academy expresses its respect for and acknowledgement of the South East Queensland Aboriginal and Torres Strait Islander communities. We pay our respects to the Traditional Owners of country, including the custodial communities on whose land works are created and celebrated by the Asia Pacific Screen Awards. We acknowledge the continuing connection to land, waters and communities. We also pay our respects to Elders, past and emerging. We recognise the integral role Aboriginal and Torres Strait Islander and First Nations peoples continue to play in storytelling and celebration spaces.

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