16 funded films to date include Academy and Emmy Award winners.

The Asia Pacific Screen Awards (APSA) and Motion Picture Association (MPA) today announced a record number of submissions with more than 100 projects entered for the 2014 MPA APSA Academy Film Fund. Exclusive to APSA Academy members, four USD$25,000 development grants will be awarded, supported wholly by the MPA, and announced at the APSA Ceremony on Thursday, 11 December.

The 2014 grants will mean that twenty feature film projects have been funded since 2010, when the fund was established with the aim to stimulate film production in the Asia Pacific. A significant number of these films have been successfully developed, produced and distributed to diverse audiences around the globe, winning dozens of awards including an Academy Award® and an International Emmy Award.

Mike Ellis, president and managing director, Asia Pacific, Motion Picture Association said: “As we enter the fifth year of the fund it is extremely rewarding to celebrate the achievements on the world stage of some of our earliest recipients. Two feature film projects funded in the 2011 round are achieving great international success: Maryam Ebrahimi’s documentary No Burqas Behind Bars this week won the prestigious documentary International Emmy; and Shawkat Amin Korki’s Memories on Stone won Best Film from the Arab World at the recent Abu Dhabi Film Festival, and is now nominated for two Asia Pacific Screen Awards including Best Feature Film. What is particularly note-worthy, the fund-supported script for Memories on Stone has been nominated for an APSA Best Screenplay Award.”

“Of course our most high profile recipient from the inaugural year was Asghar Farhadi for his project A Separation, which went on to win almost 50 awards internationally including an Oscar®, Golden Globe®, Golden Bear and APSA for Best Film. The MPA welcomes Asghar Farhadi back to APSA in 2014 as President of the APSA International Jury. It is an honour to grow the fund alongside the expanding Asia Pacific Screen Academy, and provide opportunities to this elite and esteemed network of filmmakers,” Mr Ellis said.

APSA Executive Chair Michael Hawkins said: “APSA’s partnership with the MPA has been an extremely productive one, with great benefits to the filmmakers of the Asia Pacific, and I join with Mike Ellis in congratulating Maryam Ebrahimi and Shawkat Amin Korki in the international recognition and success of their films. We are extremely proud to have been there to support them from the beginning.”

2011 MPA APSA Academy Film Fund recipient Maryam Ebrahimi, who accepted the International Emmy award for No Burqas Behind Bars in New York this week said: “It was not easy to fund this film in the beginning of the production process. Without the APSA fund it would have been impossible to begin shooting in Afghanistan. By doing this we could further develop the film and fully finance it. Therefore as producer of the film I deeply appreciate this support. The film has been recognised worldwide, winning awards at the major festivals around the globe, and was this month honoured with the biggest TV award in Europe – the Prix Europa Award for the Best TV Documentary and an International Emmy Award. I believe the subject of the film has played a big role in its success, as it is both controversial and important.”

In 2014 the MPA APSA Academy Film Fund received project submissions from 23 Asia Pacific countries and areas. They are Australia, Azerbaijan, Bangladesh, Cambodia, People’s Republic of China, Georgia, Hong Kong (PRC), India, Indonesia, Islamic Republic of Iran, Iraq, Iraqi Kurdistan, Israel, Jordan, Lebanon, Kazakhstan, Republic of Korea, New Zealand, Palestine, Philippines, Saudi Arabia, Sri Lanka and Turkey.

The projects represent a diverse range of stories and encompass feature films, children’s features, animated and children’s animated feature films and documentaries.
The 2014 panel who will determine the fund recipients is chaired for the fifth year by the esteemed Andrew Pike OAM (Australia), a film historian, documentary filmmaker, producer, distributor and exhibitor, acknowledged as a leading figure in bringing Asian cinema to Australian screens.

Joining him on the panel is:

ZOË CHEN (People’s Republic of China)

Zoë Chen is the general manager of leading boutique film production company Ruddy Morgan Organization (China) and is in charge of business development in China for Sirens Productions (Shanghai) Limited. Zoë has directed and produced countless award-winning TV programs in China, worked for BBC, ITV, Channel 4 in the UK and since 2001 has had a significant role in development, investment and production for the Ruddy Morgan Organization. She recently produced award-winning feature film My Kingdom. She holds a degree with a major in musicology of Western Classical music, an MA in Audio Visual Production and, realising the changing dynamic of the capital development in the Chinese film and television industry, she studied business and obtained an EMBA Duel Degree at Euromed Marseille Ecole de Management (EMEM) and Shanghai Jiao Tong University (SJTU). A lifelong passion for film and entertainment started as a child when Zoë was selected as lead dancer of China’s ambassadorial youth dance tour to the United States and later saw her become a presenter of Shanghai TV while still at school.


Before entering filmmaking Sheila Timothy spent years of her life in music business. She is also on the board of one of the oldest recording companies in Indonesia, PT Remaco. In 2008 Sheila produced Joko Anwar’s Pintu Terlarang (Forbidden Door) with her newly-established film company, LifeLike Pictures. The film went on to win best film in Puchon International Fantastic Film Festival (PiFAN) in 2009. In 2011 she organised the Fantastic Indonesian Short Film Competition (FISFiC) in a bid to find new and talented filmmakers in the country. In 2012 Sheila produced Modus Anomali, written and directed by Joko Anwar. The film premiered at South by Southwest Film Festival (SXSW) in March 2012, and was distributed in Europe and the US. Her third feature, Tabula Rasa, a family drama directed by Adriyanto Dewo, was released earlier this year. Sheila is the president of the Association of Indonesian Film Producer (APROFI), 2013-2016.

About the MPA:

Promoting & Protecting Screen Communities in Asia Pacific
The Motion Picture Association (MPA) and the Motion Picture Association International (MPA-I) represent the interests of the six international producers and distributors of filmed entertainment. To do so, they promote and protect the intellectual property rights of these companies and conduct public awareness programs to highlight to movie fans around the world the importance of content protection. These activities have helped to transform entire markets benefiting film and television industries in each country including foreign and local filmmakers alike.

The organisations act on behalf of the members of the Motion Picture Association of America, Inc (MPAA) which include Paramount Pictures Corporation, Sony Pictures Entertainment Inc., Twentieth Century Fox Film Corporation, Universal City Studios LLC, Walt Disney Studios Motion Pictures, and Warner Bros. Entertainment Inc. The MPA and the MPA-I have worldwide operations that are directed from its head offices in Los Angeles and Washington, D.C. and overseen in the Asia Pacific by a team based in Singapore. For more information about the MPA and the MPA-I, please visit www.mpa-i.org.


The Asia Pacific Screen Awards, proudly presented by Treasury Casino and Hotel, is supported by Brisbane City Council and managed by economic development board Brisbane Marketing in a unique collaboration with Paris-based UNESCO and FIAPF-International Federation of Film Producers Associations. The awards recognise and promote cinematic excellence and cultural diversity of the world’s fastest-growing film region: comprising 70 countries and areas, 4.5 billion people, and responsible for half of the world’s film output. In 2014, 36 films from 21 Asia Pacific countries received award nominations.

View the full list of 2014 APSA nominees at:

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The Asia Pacific Screen Academy expresses its respect for and acknowledgement of the South East Queensland Aboriginal and Torres Strait Islander communities. We pay our respects to the Traditional Owners of country, including the custodial communities on whose land works are created and celebrated by the Asia Pacific Screen Awards. We acknowledge the continuing connection to land, waters and communities. We also pay our respects to Elders, past and emerging. We recognise the integral role Aboriginal and Torres Strait Islander and First Nations peoples continue to play in storytelling and celebration spaces.

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