The Seen and Unseen (Sekala Niskala) The Seen and Unseen (Sekala Niskala)

Three (3) films from the Republic of Indonesia have scored a total of three nominations in the 11th Asia Pacific Screen Awards (APSA).

The nominations for the 11th Asia Pacific Screen Awards (APSA) were announced last week. APSA is the region’s highest accolade in film, celebrating cinematic excellence and nominations were announced in the seven narrative feature categories by Brisbane Lord Mayor Graham Quirk, together with former APSA International Jury President Lord David Puttnam, member of the APSA 2017 Nominations Council Kiki Fung and Chair of APSA and its Academy, Michael Hawkins.

Popular actress Cut Mini is nominated for Best Performance by an Actress for her role in Athirah (Indonesia).

Mouly Surya is nominated for Achievement in Directing for Marlina si Pembunuh dalam Empat Babak (Indonesia, France, Malaysia, Thailand)

Sekala Niskala (Indonesia, Netherlands, Australia, Qatar) is nominated for Best Youth Feature Film, produced by Gita FARA, Kamila Andini, Ifa Isfansyah and directed by Kamila Andini

41 films from 25 countries and areas of the Asia Pacific region have received nominations in 2017, including the first nomination for a film from Bhutan. Winners will be announced at the 11th APSA ceremony on November 23, where they will be presented with a unique and exquisite handmade APSA award vessel made by Brisbane-based internationally awarded glass artist Joanna Bone.

Of the Best Feature Film nominees, Brisbane Lord Mayor Graham Quirk said “These five films tell unique stories from Australia, China, Iran, Israel and Russia, each representing the incredible diversity and high calibre of filmmaking from the Asia Pacific region. This is a significant opportunity for our city to host some of the world’s most respected names in film and a great chance for our local and national film industry to forge new connections with the region. The Asia Pacific Screen Awards helps to elevate Brisbane’s position as a cultural hub and is a testament to our role as a leader in the region.”

Chair of the Asia Pacific Screen Awards and its Academy Michael Hawkins said, ”As APSA forges into its 11th year, it is significant to note that amongst the nominees there are not only a great number of newer filmmakers, but also a large number of filmmakers who are already a part of the growing Asia Pacific Screen Academy, which was created precisely to encompass and connect the large body of talented filmmakers in the Asia Pacific Region. Significantly, this year there are APSA Academy members nominated across almost all categories, and we look forward to welcoming all of the nominees both to Brisbane as well as into the growing Academy”.

The Asia Pacific Screen Awards, based in Brisbane, are supported by Brisbane City Council and managed by its economic development board, Brisbane Marketing. APSA has the privilege of a unique collaboration with Paris-based UNESCO and FIAPF-International Federation of Film Producers Associations, and recognises and promotes cinematic excellence and cultural diversity of the world’s fastest growing film region: comprising 70 countries and areas, 4.5 billion people, and is responsible for half of the world’s film output.

Nominees and Jury members are inducted into the Asia Pacific Screen Academy, making them eligible to apply for the 2017 MPA APSA Academy Film Fund. The Fund was created to support, at script stage, new feature film projects originated by APSA Academy members and their colleagues across Asia Pacific. The fund awards four development grants of US$25,000 annually, and is wholly supported by the MPA (Motion Picture Association).

APSA and its Academy are committed to its ongoing collaborations with UNESCO, FIAPF, the European Film Academy (EFA), the Motion Picture Association (MPA), NETPAC (the Network for the Promotion of Asian Cinema), the Asia Pacific Screen Lab (APSL) and Griffith Film School.

3 FILM INDONESIA DINOMINASIKAN UNTUK
ASIA PACIFIC SCREEN AWARDS KE-11

Tiga (3) film dari Negara Republik Indonesia telah mendapatkan total tiga nominasi di Asia Pacific Screen Awards (APSA) ke-11.

Nominasi untuk Asia Pacific Screen Awards (APSA) ke-11 diumumkan minggu lalu. APSA adalah penghargaan tertinggi untuk film di wilayah ini, merayakan keunggulan sinematis dan diumumkan dalam tujuh kategori naratif oleh Walikota Brisbane, Lord Mayor Graham Quirk, bersama dengan mantan Presiden Juri Internasional APSA, Lord David Puttnam, anggota Dewan Nominasi APSA 2017 Kiki Fung dan Ketua APSA serta Akademinya, Michael Hawkins.

Aktris populer Cut Mini dinominasikan untuk Performa Terbaik oleh Seorang Aktris (Best Performance by an Actress) untuk perannya di Athirah (Indonesia).

Mouly Surya dinominasikan untuk Prestasi dalam Penyutradaraan  (Achievement in Directing) untuk Marlina si Pembunuh dalam Empat Babak (Indonesia, Perancis, Malaysia, Thailand).

Sekala Niskala (Indonesia, Belanda, Australia, Qatar) dinominasikan untuk Film Fitur Terbaik untuk Kaum Muda  (Best Youth Feature Film), diproduksi oleh Gita FARA, Kamila Andini, Ifa Isfansyah dan disutradarai oleh Kamila Andini.

41 film dari 25 negara dan wilayah Asia Pasifik telah menerima nominasi pada tahun 2017, termasuk nominasi pertama untuk sebuah film dari Bhutan. Para pemenang akan diumumkan di dalam upacara pada tanggal 23 November, dan mereka akan dianugerahkan piala APSA buatan tangan yang unik dan indah, yang dibuat oleh seniman gelas Brisbane yang telah mendapatkan penghargaan internasional.

Mengenai penerima nominasi Film Fitur Terbaik, Walikota Brisbane, Lord Mayor Graham Quirk mengatakan “Kelima film ini menceritakan kisah unik dari Australia, Tiongkok, Iran, Israel dan Rusia. Masing-masing mewakili keragaman yang mengagumkan dan kaliber pembuatan film yang tinggi di wilayah Asia Pasifik. Ini adalah peluang besar bagi kota kita untuk menjadi tuan rumah bagi tokoh-tokoh perfileman dunia yang paling dihormati dan kesempatan besar bagi industri film lokal dan nasional kita untuk menempa koneksi baru untuk wilayah ini. Asia Pacific Screen Awards membantu mengangkat posisi Brisbane sebagai pusat budaya dan merupakan bukti peranan kita sebagai pemuka di wilayah ini.”

Ketua Asia Pacific Screen Awards dan Akademinya Michael Hawkins mengatakan, “Sembari APSA memasuki tahun ke-11, penting dicatat bahwa di antara penerima nominasi bukan hanya ada sejumlah besar pembuat film yang baru, tetapi juga banyak pembuat film yang telah merupakan bagian dari Asia Pacific Screen Academy yang semakin berkembang, yang didirikan persis untuk menjaring dan menghubungkan para pembuat film berbakat di Wilayah Asia Pasifik. Yang penting juga, tahun ini ada anggota-anggota APSA Academy yang dinominasikan di hampir semua kategori, dan kami dengan senang hati menyambut kedatangan semua penerima nominasi di Brisbane dan juga Akademi yang bertambah besar ini.”

Asia Pacific Screen Awards, yang berbasis di Brisbane, didukung oleh Dewan Kota Brisbane dan dikelola oleh dewan pengembangan ekonominya, Brisbane Marketing. APSA beruntung dapat bekerjasama secara unik dengan UNESCO yang berbasis di Paris dan FIAPF-Federasi Internasional untuk Ikatan Para Produser, serta mengakui dan mendorong keunggulan sinematik dan keragaman budaya di wilayah pertumbuhan film tercepat di dunia: mencakup 70 negara dan wilayah, 4,5 milyar orang, dan bertanggung jawab atas separoh produksi film dunia.

Para penerima nominasi dan anggota Juri dilantik ke dalam Asia Pacific Screen Academy, sehingga mereka dapat mengajukan permohonan untuk Dana Film MPA APSA Academy 2017. Dana ini dibuat untuk mendukung, pada tahap naskah, proyek film fitur baru yang dicetuskan oleh anggota-anggota APSA Academy dan para rekan mereka di seluruh wilayah Asia Pasifik. Dana sebesar US$25,000 dihibahkan kepada empat pengembangan per tahun, dan sepenuhnya didukung oleh MPA (Motion Picture Association).

APSA dan Akademinya memiliki komitmen berkelanjutan untuk bekerja sama dengan UNESCO, FIAPF, European Film Academy (EFA), Motion Picture Association (MPA), NETPAC (Jejaring untuk Mendukung Sinema Asia), Asia Pacific Screen Lab (APSL) dan Griffith Film School.

 

Nominasi Film 2017

 

FILM FITUR TERBAIK

 

Angels Wear White (Jia Nian Hua)

People’s Republic of China, France

Produced by Sean CHEN

Co-Produced by Alain DE LA MATA

Directed by Vivian QU

 

Foxtrot

Israel, Germany, France, Switzerland

Produced by Michael WEBER, Viola FÜGEN, Eitan MANSURI, Cedomir KOLAR, Marc BASCHET, Michel MERKT

Directed by Samuel MAOZ

 

A Gentle Creature (Krotkaya)

France, Germany, Lithuania, Netherlands

Produced by Marianne SLOT

Co-Produced by Valentina MIKHALEVA, Galina SEMENTSEVA, Lev KARAKHAN, Gunnar DEDIO, Uljana KIM, Peter WARNIER, Marc VAN WARMERDAM, Serge LAWRENYUK

Directed by Sergei LOZNITSA

 

A Man of Integrity (Lerd)

Islamic Republic of Iran

Produced by Mohammad RASOULOF

Co-Produced by Kaveh FARNAM, Rozita HENDIJANIAN, Michal KŘEČEK

Directed by Mohammad RASOULOF

 

Sweet Country

Australia

Produced by Greer SIMPKIN, David JOWSEY

Co-Produced by David TRANTER

Directed by Warwick THORNTON

 

FILM FITUR TERBAIK UNTUK KAUM MUDA

 

Big Big World (Koca Dünya)

Turkey

Produced by Ömer ATAY

Directed by Reha ERDEM

 

Jasper Jones

Australia

Produced by Vincent SHEEHAN, David JOWSEY

Directed by Rachel PERKINS

 

The Seen and Unseen (Sekala Niskala)

Indonesia, Netherlands, Australia, Qatar

Produced by Gita FARA, Kamila ANDINI, Ifa ISFANSYAH

Directed by Kamila ANDINI

 

The Skier (Ski-Baz)

Islamic Republic of Iran

Produced by Mohammad AHMADI

Directed by Fereidoun NAJAFI

 

The Summer is Gone (Ba Yue)

People’s Republic of China

Produced by ZHAO Yanming, ZHANG Jian, LI Liangwen

Directed by ZHANG Dalei

 

FILM FITUR ANIMASI TERBAIK

 

Have a Nice Day (Hao ji le)
People’s Republic of China

Produced by YANG Cheng, LIU Jian

Co-Produced by JIN Rui

Directed by LIU Jian

 

Saving Sally
Philippines, France

Produced by Avid LIONGOREN, Alain DE LA MATA, Hervé PENNEQUIN, Catherine JACQUES

Directed by Avid LIONGOREN

 

A Silent Voice (Koe no Katachi)
Japan

Produced by OHASHI Nagaharu, TATEISHI Kensuke, UETSUKI Mikio, NAKAMURA Shinichi, IIZUKA Toshio

Directed by Naoko YAMADA

 

Window Horses: The Poetic Persian Epiphany of Rosie Ming
Canada

Directed and Produced by Ann Marie FLEMING

Co-Produced by Shirley VERCRUYSSE, Michael FUKUSHIMA

 

your name. (Kimi no na wa)
Japan

Produced by Genki KAWAMURA, Noritaka KAWAGUCHI

Directed by Makoto SHINKAI

 

FILM FITUR DOKUMENTER TERBAIK

Kim Dotcom: Caught in the Web

New Zealand

Produced by Alexander BEHSE

Directed and Co-Produced by Annie GOLDSON

 

Last Men in Aleppo

Syrian Arab Republic, Denmark, Germany

Produced by Søren Steen JESPERSEN, Kareem ABEED, Stefan KLOOS

Directed by Feras FAYYAD

 

The Opposition

Australia, Papua New Guinea

Produced by Rebecca BARRY, Madeleine HETHERTON, Hollie FIFER

Directed by Hollie FIFER

 

Taste of Cement

Germany, Lebanon, Syrian Arab Republic, United Arab Emirates, Qatar

Produced by Ansgar FRERICH, Eva KEMME, Tobias N. SIEBERT

Directed by Ziad KALTHOUM

 

A Yangtze Landscape (Changjiang)

People’s Republic of China

Produced by XU Feixue, LU Zhixin, ZHANG Jun

Directed by XU Xin

 

PRESTASI DALAM PENYUTRADARAAN

Ana URUSHADZE for Scary Mother (Sashishi Deda)

Georgia, Estonia

 

Andrey ZVYAGINTSEV for Loveless (Nelyubov)

Russian Federation, Belgium, France, Germany

 

KORE-EDA Hirokazu for The Third Murder (Sandome no Satsujin)

Japan

 

Mouly SURYA for Marlina the Murderer in Four Acts (Marlina si Pembunuh dalam Empat Babak)

Indonesia, France, Malaysia, Thailand

 

Sanal KUMAR SASIDHARAN for Sexy Durga

India

 

NASKAH (SCREENPLAY) TERBAIK

Mayank TEWARI, Amit V MASURKAR for Newton

India

 

Boris KHLEBNIKOV, Natalia MESHCHANINOVA for Arrhythmia (Aritmiya)

Russian Federation, Finland, Germany
Dastan ZHAPAR UULU, Bakyt MUKUL for A Father’s Will (Atanyn Kereezi)

Kyrgyzstan

 

David TRANTER, Steven MCGREGOR for Sweet Country

Australia

 

KORE-EDA Hirokazu for The Third Murder (Sandome no Satsujin)

Japan

 

PRESTASI DALAM SINEMATOGRAFI

LYU Songye for Ghost in the Mountains (Kong Shan Yi Ke)

People’s Republic of China

 

Mindia ESADZE for Scary Mother (Sashishi Deda)

Georgia, Estonia

 

Pyotr DUKHOVSKOY, Timofey LOBOV for The Bottomless Bag (Meshok Bez Dna)

Russian Federation

 

Shehnad JALAL for Lady of the Lake (Loktak Lairembee)

India

 

Warwick THORNTON, Dylan RIVER for Sweet Country

Australia

 

PERFORMA TERBAIK OLEH SEORANG AKTRIS

Cut MINI for Emma’ (Mother) (Athirah)

Indonesia

 

Ecem UZUN for Clair Obscur (Tereddüt)

Turkey, France, Germany, Poland

 

NA Moon-hee for I Can Speak

Republic of Korea

 

Nata MURVANIDZE for Scary Mother (Sashishi Deda)

Georgia, Estonia

 

ZHOU Xun for Our Time Will Come (Ming Yue Ji Shi You)

People’s Republic of China, Hong Kong (PRC)

 

PERFORMA TERBAIK OLEH SEORANG AKTOR

Navid MOHAMMADZADEH for No Date, No Signature (Bedoune Tarikh, Bedoune Emza)

Islamic Republic of Iran

 

Paolo BALLESTEROS for Die Beautiful

Philippines

 

KOJI Yakusho for The Third Murder (Sandome no Satsujin)

Japan

 

Rajkummar RAO for Newton

India

 

Mohammad BAKRI, Saleh BAKRI for Wajib (Duty)

Palestine, Colombia, France, Germany, Norway, Qatar, United Arab Emirates

 

PENGHARGAAN KERAGAMAN BUDAYA DI BAWAH NAUNGAN UNESCO

Centaur

Kyrgyzstan, France, Germany, Netherlands, Japan

Directed by Aktan ARYM KUBAT

Produced by Altynai KOICHUMANOVA, Cedomir KOLAR, Marc BASCHET, Danis TANOVIC, Thanassis KARATHANOS, Martin HAMPEL, Gulmira KERIMOVA, Denis VASLIN, Fleur KNOPPERTS, Yuji SADAI
Dede

Georgia, Croatia, Netherlands, Qatar, United Kingdom

Directed by Mariam KHATCHVANI

Produced by Vladimer KATCHARAVA, Samantha TAYLOR, Mike DOWNEY, Igor NOVA

Co-Produced by Conrad ALLEBLAS, Jamillah VAN DER HULST

 

Die Beautiful

Philippines

Directed by Jun ROBLES LANA

Produced by Ferdinand LAPUZ, Jun ROBLES LANA

 

Honeygiver Among the Dogs (Munmo Tashi Khyidron)

Bhutan

Directed by Dechen RODER

Produced by Dechen RODER, Esther KOO

 

Lady of the Lake (Loktak Lairembee)

India

Directed by Haobam PABAN KUMAR

Produced by Haobam PABAN KUMAR

Co-Produced by Thiyam ROMOLA DEVI, Haobam IBETOMBI, Warepam JHANSIRANI

 

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The Asia Pacific Screen Academy expresses its respect for and acknowledgement of the South East Queensland Aboriginal and Torres Strait Islander communities. We pay our respects to the Traditional Owners of country, including the custodial communities on whose land works are created and celebrated by the Asia Pacific Screen Awards. We acknowledge the continuing connection to land, waters and communities. We also pay our respects to Elders, past and emerging. We recognise the integral role Aboriginal and Torres Strait Islander and First Nations peoples continue to play in storytelling and celebration spaces.

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