MPA APSA ACADEMY FILM FUND CELEBRATES TEN YEARS FUNDING ASIA PACIFIC STORIES - TENTH ROUND OPEN
Beijing, People’s Republic of China: The Australian-based Asia Pacific Screen Awards (APSA), which honours the cinematic excellence of the culturally diverse region and the Motion Picture Association (MPA), the peak body representing some of the world’s biggest film studios, today jointly opened submissions for the tenth round of the MPA APSA Academy Film Fund.
The announcement was made from an MPA event at the Beijing International Film Festival. Both organisations acknowledged the continuing success of the fund, which is actively fulfilling its aim to increase cultural diversity on screen in the fastest growing region of film production in the world.
Committed to investing in the rich storytelling traditions of the region, spanning 70 countries and areas, the MPA APSA Academy Film Fund supports the development of, at the crucial early script stage, new feature film projects by APSA Academy members and their colleagues from across the region.
The fund awards four development grants of US$25,000 annually and is wholly supported by the MPA.
Korean auteur Lee Chang-dong, who’s critical smash-hit and fund supported film Burning opens in Australian cinemas today and on Netflix internationally on 29 April, said of the fund “MPA APSA Academy Film Fund provides great support for the screenwriters. Their support means a lot because it’s not just financial, but it shows faith in the film’s potential. They have supported and believed in me and Ms. Oh Jung-mi, and have waited for the film’s completion.’
To date, 36 projects from 20 different countries and areas of the Asia Pacific have been supported through the initiative, with recipients including both emerging talent and established auteurs. 11 feature films have been completed and debuted to international acclaim.
- 2018 Cannes Film Festival, Official Selection – Ayka, Burning, The Wild Pear Tree
- 2018 Venice Film Festival, Orrizonti Selection – The River, Memories of My Body
- 2014 WINNER International Emmy Award for Outstanding Documentary – No Burqas Behind Bars
- 2010 WINNER Academy Award® for Best Foreign Language Film – A Separation
Fund Films in development include:
- Haifa Al Mansour’s Miss Camel, an empowering animated tale of a young Saudi Arabian girl, currently being developed with LA’s ShadowMachine (BoJack Horseman, Robot Chicken.
- Indian star Nawazuddin Siddiqui (Sacred Games, The Lunchbox) will star in and co-produce No Land’s Man, from Mostofa Sarwar Farooki (Bangladesh), and chose the project based on the script “The script explores today’s strange world, with strong humour, satire, and emotion. I felt compelled to be associated with the project in more than just the capacity of an actor, as I thought this is that kind of film which really needs to be made.”
This year’s recipients, determined by the dedicated MPA APSA Academy Film Fund Jury, will be announced during the 13th Asia Pacific Screen Awards Ceremony on 21 November 2019 in Brisbane, Australia.
Chair of the Asia Pacific Screen Awards, and its Academy, Michael Hawkins said “Cinema is an art form that takes time, and ten years on we are all seeing the MPA APSA Academy Film Fund thrive, with films in all stages of development and many that have gone on to win the world’s top film prizes. I thank the MPA as our longstanding partner organisation, in supporting so many films at such a crucial stage of development.”
Mike Ellis, President and Managing Director Asia Pacific MPA, said, “It is a pleasure to launch the 10th round of the MPA APSA Academy Film Fund during the Beijing International Film Festival. The MPA is very proud of how far the Fund has come – telling diverse stories in the Asia Pacific, supporting these extremely talented filmmakers and helping to realise so many acclaimed productions for the screen. We look forward to working again with APSA to see four new projects receive support this year.”
Attendees at the Beijing event included representatives of the MPA and APSA Academy Member Professor Zhang Xianmin (People’s Republic of China).
In a further opportunity for a recipient, the MPA will hold a screening of a film from the region at the MPAA headquarters in Washington DC, USA for its constituents later in the year, the sixth such event of its kind. Previous editions of the event have included screenings of MPA APSA Academy Film Fund completed projects BURNING, A Separation, No Burqas Behind Bars and Memories on Stone.
ABOUT THE ASIA PACIFIC SCREEN AWARDS & ASIA PACIFIC SCREEN ACADEMY
The region’s highest accolade in film, the Asia Pacific Screen Awards, based in Brisbane, Australia, are supported by Brisbane City Council and managed by economic development board Brisbane Marketing. APSA recognises and promotes cinematic excellence and cultural diversity of the world’s fastest growing film region: comprising 70 countries and areas, 4.5 billion people, and responsible for half of the world’s film output.
APSA and its Academy is committed to its ongoing global partnerships with UNESCO, FIAPF, the European Film Academy (EFA), the Motion Picture Association (MPA), Premios Platino del Cine Iberoamericano, NETPAC (the Network for the Promotion of Asia Pacific Cinema), the Asia Pacific Screen Lab (APSL) and Griffith Film School.
All APSA nominees, International Nominations Council, Nominee Selection Panels and APSA International Jury members are inducted into the prestigious APSA Academy presided over by President, Australian screen legend Jack Thompson AM PhD. The Academy boasts over 1,200 of the region’s leading filmmakers and provides exclusive networking, development and funding opportunities available to Academy members through the MPA APSA Academy Film Fund, and Academy mentoring opportunities for the next generation of Asia Pacific filmmakers through the Asia Pacific Screen Lab.
ABOUT THE MPA:
Promoting & Protecting Screen Communities in Asia Pacific
The Motion Picture Association (MPA) and the Motion Picture Association International (MPA-I) represent the interests of the six international producers and distributors of filmed entertainment. To do so, they promote and protect the intellectual property rights of these companies and conduct public awareness programs to highlight to movie fans around the world the importance of content protection. These activities have helped to transform entire markets benefiting film and television industries in each country including foreign and local filmmakers alike.
The organizations act on behalf of the members of the Motion Picture Association of America, Inc (MPAA) which include: Walt Disney Studios Motion Pictures, Netflix Studios, LLC, Paramount Pictures Corporation, Sony Pictures Entertainment Inc., Universal City Studios LLC, and Warner Bros. Entertainment Inc. The MPA and the MPA-I have worldwide operations which are directed from their head offices in Los Angeles and Washington, D.C. and overseen in the Asia Pacific by a team based in Singapore. For more information about the MPA and the MPA-I, please visit www.mpa-i.org.
2018 Ifa Isfansyah (Indonesia)
Olga Khlasheva (Kazakhstan)
Mai Meksawan (Thailand)
Semih Kaplanoğlu (Turkey)
2017 Suman Mukhopadhyay/Rajit Kapur (India)
Robert Connolly (Australia)
Guy Davidi (Israel)
Vladimer Katcharava (Georgia)
2016 Haifaa Al Mansour (Saudi Arabia)
Joo-young Park (Republic of Korea)
Rolf de Heer (Australia)
The River, Emir Baigazin (Kazakhstan)
2015 Ami Drozd (Israel)
Wajib, Annemarie Jacir (Palestine)
Cliff Curtis (New Zealand)
Surabhi Sharma (India)
2014 Signe Byrge Sørensen (Denmark)
Dror Moreh (Israel)
Jafar Panahi (Islamic Republic of Iran)
Mostofa Sarwar Farooki (Bangladesh)
2013 Ainsley Gardiner (New Zealand)
Jeannette Hereniko (United States of America)
Reis Çelik (Turkey)
Memories of My Body, Garin Nugroho (Indonesia)
2012 Kath Shelper/Beck Cole (Australia)
Mohammed Rasoulof (Islamic Republic of Iran)
Suha Arraf (Israel)
The Wild Pear Tree, Zeynep Atakan (Turkey)
2011 No Burqas Behind Bars, Maryam Ebrahimi (Sweden, Iran)
Bomb, A Love Story, Payman Maadi (Islamic Republic of Iran)
Pryas Gupta (India)
Memories on Stone, Shawkat Amin Korki (Iraqi Kurdistan)
2010 A Separation, Asghar Farhadi, (Islamic Republic of Iran)
Burning, Lee Chang-dong (Republic of Korea)
The Cremator, Peng Tao (People’s Republic of China)
Ayka, Sergey Dvortsevoy (Russian Federation)
MEDIA ENQUIRIES: Alicia Brescianini + 61 (0) 400 225 603 / [email protected]