APSA Chairman Michael Hawkins today announced the nominations for the 9th Asia Pacific Screen Awards, the region’s highest accolade in film, in the Best Feature Film category and five craft award achievements.

Hawkins said of the nominations ‘Film is one of the most powerful means by which we connect with other cultures and learn about them. APSA is very proud to have this as its focus as it encompasses the 70 countries and areas of Asia Pacific, and half the world’s film. This focus is strengthened by the unique collaboration it is privileged to hold with UNESCO and the growing exceptional alumnus of the APSA Academy. It is encouraging to see many nominees in 2015 who are already APSA Academy members.

Leading the nominations is The Assassin (Nie Yinniang, Taiwan), nominated for Best Feature Film, Achievement in Directing for Hou Hsiao-hsien and Achievement in Cinematography for APSA Academy member Mark Lee Ping-Bing.

Competing alongside The Assassin for Best Feature Film are Thailand’s Cemetery of Splendour (Rak ti Khon Kaen, Thailand, Malaysia, France, Germany, United Kingdom), Japanese drama Journey to the Shore (Kishibe no Tabi, Japan, France) and the Korean features End of Winter (Cheol-won-gi-hang, Republic of Korea) and Alive (Sanda, Republic of Korea).

Maxine Williamson, Film Director APSA said ‘The seven member 2015 APSA International Nominations Council headed by Professor Hong-Joon Kim faced an incredibly difficult task in determining these nominees, from what was agreed to be the strongest field of films in competition in APSA’s nine year history. The announcement completes the lineup of nominations for the 9th annual awards, with a total of 39 films from 22 countries and areas of Asia Pacific represented.’

Nominations have previously been announced for the APSA UNESCO Award and the film categories of Best Youth, Animated and Documentary Feature Films.  All winners will be announced at the 9th APSA ceremony on Thursday 26 November at City Hall, Brisbane.

The APSA Nominations announcement, attended by Brisbane Lord Mayor Graham Quirk, was held at the Museum of Brisbane in City Hall, where an exhibition of the unique and exquisite handmade APSA award vessels made by Brisbane-based internationally awarded glass artist Joanna Bone will be on display November 7 – 30. The exhibition displays Award vessels from each year of the Asia Pacific Screen Awards since it began in 2007.

Brisbane Lord Mayor Graham Quirk said, ‘APSA is a key international event in the Brisbane calendar. APSA strengthens Brisbane’s position as a cultural hub of the Asia Pacific, and builds on Brisbane’s reputation and commitment to strengthen the region through cultural initiatives that align with its position as Australia’s New World City.’

Joining Hou Hsiao-hsien with nominations for Achievement in Directing are Thai writer/director Apichatpong Weerasethakul for Cemetery of Splendour (Rak ti Khon Kaen, Thailand, Malaysia, France, Germany, United Kingdom), Park Jungbum for Alive (Sanda, Republic of Korea), written, directed by and starring him, Russian writer/director Alexey German Jr. for Under Electric Clouds (Pod elektricheskimi oblakami, Russian Federation, Ukraine, Poland) and Kazakh writer/director Yermek Tursunov for Stranger (Zhat, Kazakhstan).

Five writer/directors have received nominations for the APSA for Best Screenplay, including 2012 APSA Best Feature Film winner for Beyond the Hill, Turkish writer/director Emin Alper, nominated for his feature Frenzy (Abluka, Turkey, Qatar, France), winner of three awards at the Venice Film Festival including the Special Jury Prize. Alper will be competing against fellow APSA Academy member Vimukthi Jayasundara for his film Dark in the White Light (Sulanga Gini Aran, Sri Lanka, France), Senem Tüzen for Motherland (Ana Yurdu, Turkey, Greece), also nominated for the APSA UNESCO Award, and the feature film debuts of Kenzhebek Shaikakov for Tent (Kurko, Kazakhstan) and China’s Xin Yukun and Feng Yuanling for The Coffin in the Mountain (Xin Migong, People’s Republic of China, France).

Women from five different countries have received nominations for Best Performance by an Actress, Japan’s Kirin Kiki for Naomi Kawase’s An (Japan, France, Germany), Iranian actress Fatemeh Motamed Arya for Avalanche (Bahman, Islamic Republic of Iran), Korean acting matriarch Lee Young-Ian for End of Winter (Cheol-won-gi-hang, Republic of Korea), the film’s second nomination, Shamaine Buencamino from the Philippines for Lorna (Philippines), and making her feature film debut, internationally celebrated model Evgeniya Mandzhieva for The Gulls (Chaiky, Russian Federation), also nominated for the APSA UNESCO Award.

Nominees for Best Performance by an Actor are Australian Reef Ireland for Downriver, Russian stage, screen and television star Aleksei Guskov for The Find (Nakhodka, Russian Federation), Georgian actor Misha Gomiashvili for The President(Georgia, United Kingdom, France, Germany), Korean actor Jung Jaeyoung for Right Now, Wrong Then (Jigeumeun Matgo Geuttaeneun Teullida, Republic of Korea) and Shide Nyima, a household name amongst Tibetan popular culture, for Tharlo(People’s Republic of China).

Vying for Achievement in Cinematography alongside Mark Lee Ping-Bing is fellow APSA Academy member from Kazakhstan, Murat Aliyev for Stranger (Zhat, Kazakhstan), Chinese director/producer/cinematographer Miaoyan Zhang for the three-time nominated film A Corner of Heaven (Tiantang jiaoluo, People’s Republic of China), Jean-Marc Ferrière for Sunrise (Arunoday, India), and Lu Songye for Tharlo (People’s Republic of China).

Winners in the feature film award achievements will be determined by the 2015 APSA International Jury, headed by APSA Patron and Korean film industry legend Kim Dong-Ho. Mr Kim is joined on the APSA International Jury by internationally celebrated Iranian actress Negar Javaherian, award-winning writer/director Mostofa Sarwar Farooki (Bangladesh), distinguished director/writer/curator/producer and Beijing Film Academy Professor, Zhang Xianmin (People’s Republic of China), leading figure of Malaysian new wave cinema, writer/director, U-Wei Bin HajiSaari and renowned Russian writer/director Alexei Popogrebsky, who represents APSA’s Academy alliance with the European Film Academy (EFA).

The FIAPF Award for Outstanding Achievement in Film in the Asia Pacific region will be announced in the coming weeks and will be presented to the winner at the ceremony. This award celebrates a film practitioner from the region whose career and actions contribute strongly to the development of the Asia Pacific film industry.

All nominees are inducted into the Asia Pacific Screen Academy, a growing body of the region’s most influential names in film including past APSA nominees, International Jurors and Nominations Council members, led by President Jack Thompson AM PhD. The Academy provides exclusive networking, development and funding opportunities available to Academy members and supports mentoring opportunities for the next generation of Asia Pacific filmmakers through the Asia Pacific Screen Lab. APSA’s Academy partner, the European Film Academy shares the common interest of presenting pan-International Awards that promote and award excellence in cinema.

Three streams of development funding are supported through the Asia Pacific Screen Academy:

  • MPA APSA Academy Film Fund which awards USD$100,000 in screenwriting funds through four grants exclusive to APSA Academy members, supported wholly by the Motion Picture Association (MPA).
  • APSA Academy Children’s Film Fund by 4 Boys Films is a scriptwriting fund specifically for life affirming stories for and about the youth of Asia Pacific, and exclusive to APSA Academy members.
  • An award for emerging talent, the APSA Academy NETPAC Development Prize of USD$10,000, proudly supported by the Griffith Film School, Griffith University, is awarded to a first or second time feature filmmaker in the Best Feature narrative competition. The prize is awarded by the APSA NETPAC Jury drawn from the APSA International Nominations Council of 2015.

The Awards, proudly presented by Treasury Casino and Hotel, are supported by Brisbane City Council and managed by economic development board Brisbane Marketing in a unique collaboration with Paris-based UNESCO and FIAPF-International Federation of Film Producers Associations, recognise and promote cinematic excellence and cultural diversity of the world’s fastest growing film region: comprising 70 countries and areas, 4.5 billion people, and responsible for half of the world’s film output.


Alive (Sanda)
Republic of Korea
Produced by Park Jungbum, Kim Youngjin, Jang Byungwon, Lee Sangyong, Park Hongsik

The Assassin (Nie Yinniang)
Produced by Hou Hsiao-hsien

Cemetery of Splendour (Rak ti Khon Kaen)
Thailand, Malaysia, France, Germany, United Kingdom
Produced by Apichatpong Weerasethakul, Keith Griffiths, Simon Field, Charles de Meaux, Michael Weber, Hans W. Geißendörfer
Co-produced by Viola Fügen, Najwa Abu Bakar, Moisés Cosio Espinosa, Eric Vogel, Ingunn Sundelin, Joslyn Barnes, Caroleen Feeney, Danny Glover

End of Winter (Cheol-won-gi-haeng)
Republic of Korea
Produced by Lee Im-kul

Journey to the Shore (Kishibe no Tabi)
Japan, France
Produced by Hitoshi Endo, Hiroko Matsuda and Masa Sawada


A Corner of Heaven (Tiantang jiaoluo)
People’s Republic of China, France
Produced by Miaoyan Zhang and Guillaume de Seille

Mina Walking
Afghanistan, Canada
Produced by Andrew Korogyi and Asef Baraki

Turkey, Qatar, France, Germany
Produced by Charles Gillibert
Co-Produced by Frank Henschke, Anja Uhland and Mine Vargi

River (Gtsngbo)
People’s Republic of China
Produced by Sangye and Alexandra Sun
Co-Produced by Pema Tseden and Du Qingchun

Set Me Free (Geo-in)
Republic of Korea
Produced by Pyun Kyung-woo


Blinky Bill The Movie
Australia, India, Ireland
Produced by Barbara Stephen and Jim Ballantine

Miss Hokusai (Sarusuberi: Miss Hokusai)
Produced by Keiko Matsushita and Asako Nishikawa

The Road Called Life (Mae-mil-ggot, Un-su Jo-eun Nal, Geu-ri-go Bombom)
Republic of Korea
Produced by Lee Sang-wook

The Snow Queen 2: The Snow King (Snezhnaya Koroleva 2: Snezhnyy Korol)
Russian Federation
Produced by Timur Bekmambetov, Yuri Moskvin and Diana Yurinova

When Marnie Was There (Omoide no Marnie)
Produced by Yoshiaki Nishimura


Among the Believers
Pakistan, United States of America
Produced by Jonathan Goodman Levitt and Hemal Trivedi                                 Co-Produced by Naziha Syed Ali, Syed Musharaf Shah

Another Country
Produced by Molly Reynolds, Peter Djigirr and Rolf de Heer

The Chinese Mayor (Datong)
People’s Republic of China
Produced by Zhao Qi

The Look of Silence (Senyap)
Indonesia, Denmark, Norway, Finland, United Kingdom
Produced by Signe Byrge Sørensen
Co-Produced by Anonymous Indonesians, Kaarle Aho, Torstein Grude and Bjarte Mørner Tveit

A Flag Without a Country
Produced by Bahman Ghobadi


Park Jungbum for Alive (Sanda)
Republic of Korea

Hou Hsiao-hsien for The Assassin (Nie Yinniang)

Apichatpong Weerasethakul for Cemetery of Splendour (Rak ti Khon Kaen)
Thailand, Malaysia, France, Germany, United Kingdom

Yermek Tursunov for Stranger (Zhat)

Alexey German Jr for Under Electric Clouds (Pod elektricheskimi oblakami)
Russian Federation, Ukraine, Poland


Senem Tüzen for Motherland (Ana Yurdu)
Turkey, Greece

Emin Alper for Frenzy (Abluka)
Turkey, Qatar, France

Xin Yukun, Feng Yuanliang for The Coffin in the Mountain (Xin Migong)
People’s Republic of China

Kenzhebek Shaikakov for Tent (Kurko)

Vimukthi Jayasundara for Dark in the White Light (Sulanga Gini Aran)
Sri Lanka, France



Jean-Marc Ferrière for Sunrise (Arunoday)

Murat Aliyev for Stranger (Zhat)

Mark Lee Ping-Bing for The Assassin (Nie Yinniang)

Lu Songye for Tharlo
People’s Republic of China 

Miaoyan Zhang for A Corner of Heaven (Tiantang jiaoluo)
People’s Republic of China, France 


Kirin Kiki in An
Japan, France, Germany

Lee Yeong-lan in End of Winter (Cheol-won-gi-haeng)
Republic of Korea 

Shamaine Buencamino in Lorna

Fatemeh Motamed Arya in Avalanche (Bahman)
Islamic Republic of Iran

Evgeniya Mandzhieva in The Gulls (Chaiky)
Russian Federation


Aleksei Guskov in The Find (Nakhodka)
Russian Federation, Finland 

Jung Jaeyoung in Right Now, Wrong Then (Jigeumeun Matgo Geuttaeneun Teullida)
Republic of Korea

Reef Ireland in Downriver

Misha Gomiashvili in The President
Georgia, United Kingdom, France, Germany 

Shide Nyima in Tharlo
People’s Republic of China 


Miaoyan Zhang for A Corner of Heaven (Tiantang jiaoluo)
People’s Republic of China, France

Ella Manzheeva for The Gulls (Chaiky)
Russian Federation

Senem Tüzen for Motherland (Ana Yurdu)
Turkey, Greece

Hany Abu-Assad for The Idol (Ya Tayr El Tayer)
Palestine, Qatar, United Arab Emirates, United Kingdom, Netherlands

Stephen Page for Spear

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The Asia Pacific Screen Academy expresses its respect for and acknowledgement of the South East Queensland Aboriginal and Torres Strait Islander communities. We pay our respects to the Traditional Owners of country, including the custodial communities on whose land works are created and celebrated by the Asia Pacific Screen Awards. We acknowledge the continuing connection to land, waters and communities. We also pay our respects to Elders, past and emerging. We recognise the integral role Aboriginal and Torres Strait Islander and First Nations peoples continue to play in storytelling and celebration spaces.

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